The Handmaid’s Tale PDF AZW3 EPUB MOBI TXT Download

#1 NEW YORK TIMES BESTSELLER • An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (The New York Times). Now an award-winning Hulu series starring Elizabeth Moss.Look for The Testaments, the bestselling, award-winning the sequel to The Handmaid’s TaleIn Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid’s Tale is a modern classic.Includes an introduction by Margaret Atwood

Margaret Atwood
March 16, 1998
311 pages

File Size: 75 MB
Available File Formats: PDF AZW3 DOCX EPUB MOBI TXT or Kindle audiobook Audio CD(Several files can be converted to each other)
Language: English, Francais, Italiano, Espanol, Deutsch, chinese

“A novel that brilliantly illuminates some of the darker interconnections between politics and sex . . . Just as the world of Orwell’s 1984 gripped our imaginations, so will the world of Atwood’s handmaid!” —The Washington Post Book World”The Handmaid’s Tale deserves the highest praise.” —San Francisco Chronicle”Atwood takes many trends which exist today and stretches them to their logical and chilling conclusions . . . An excellent novel about the directions our lives are taking . . . Read it while it’s still allowed.” —Houston Chronicle”Splendid.” —Newsweek From the Inside Flap In the world of the near future, who will control women’s bodies?Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now….Funny, unexpected, horrifying, and altogether convincing, The Handmaid’s Tale is at once scathing satire, dire warning, and tour de force. From the Back Cover In the world of the near future, who will control women’s bodies? Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable. Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now…. Funny, unexpected, horrifying, and altogether convincing, “The Handmaid’s Tale is at once scathing satire, dire warning, and tour de force. About the Author Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood, MaddAddam; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019, she was made a member of the Order of the Companions of Honour for services to literature. Excerpt. © Reprinted by permission. All rights reserved. from the IntroductionIn the spring of 1984 I began to write a novel that was not initially called The Handmaid’s Tale. I wrote in long hand, mostly on yellow legal notepads, then transcribed my almost illegible scrawlings using a huge German-keyboard manual typewriter that I’d rented. The keyboard was German because I was living in West Berlin, which was still encircled by the Berlin Wall: the Soviet empire was still strongly in place and was not to crumble for another five years. Every Sunday the East German air force made sonic booms to remind us of how close they were. During my visits to several countries behind the Iron Curtain—Czechoslovakia, East Germany—I experienced the wariness, the feeling of being spied on, the silences, the changes of subject, the oblique ways in which people might convey information, and these had an influence on what I was writing. So did the repurposed buildings. This used to belong to . . . But then they disappeared. I heard such stories many times. Having been born in 1939 and come to consciousness during World War II, I knew that established orders could vanish overnight. Change could also be as fast as lightning. It can’t happen here could not be depended on: anything could happen anywhere, given the circumstances. By 1984, I’d been avoiding my novel for a year or two. It seemed to me a risky venture. I’d read extensively in science fiction, speculative fiction, utopias and dystopias ever since my high school years in the 1950s, but I’d never written such a book. Was I up to it? The form was strewn with pitfalls, among them a tendency to sermonize, a veering into allegory, and a lack of plausibility. If I was to create an imaginary garden, I wanted the toads in it to be real. One of my rules was that I would not put any events into the book that had not already happened in what James Joyce called the “nightmare” of history, nor any technology not already available. No imaginary gizmos, no imaginary laws, no imaginary atrocities. God is in the details, they say. So is the devil. Back in 1984, the main premise seemed—even to me—fairly outrageous. Would I be able to persuade readers that the United States of America had suffered a coup that had transformed an erstwhile liberal democracy into a literal-minded theocratic dictatorship? In the book, the Constitution and Congress are no longer: the Republic of Gilead is built on a foundation of the seventeenth-century Puritan roots that have always lain beneath the modern-day America we thought we knew. The immediate location of the book is Cambridge, Massachusetts, home of Harvard University, now a leading liberal educational institution but once a Puritan theological seminary. The Secret Service of Gilead is located in the Widener Library, where I had spent many hours in the stacks, researching my New England ancestors as well as the Salem witchcraft trials. Would some people be affronted by the use of the Harvard wall as a display area for the bodies of the executed? (They were.) In the novel, the population is shrinking due to a toxic environment, and the ability to have viable babies is at a premium. (In today’s real world, studies in China are now showing a sharp fertility decline in Chinese men.) Under totalitarianisms—or indeed in any sharply hierarchical society—the ruling class monopolizes valuable things, so the elite of the regime arrange to have fertile females assigned to them as Handmaids. The biblical precedent is the story of Jacob and his two wives, Rachel and Leah, and their two handmaids. One man, four women, twelve sons—but the handmaids could not claim the sons. They belonged to the respective wives. And so the tale unfolds. Read more <div id="

  • I realize that I am late coming to the ‘Handmaid’ party. It has been my intention to read it for some long time, but for some reason that I don’t fully understand, I was intimidated by the gravity of the book. I really wanted to be impressed, but Atwood’s view of a dark dystopian society left me depressed, confused and ultimately bored.I confess, I couldn’t finish the book. I couldn’t force myself to endure more than 115 pages peppered with complete and unnecessary gibberish. ‘If I have an egg, what more can I want?’ There are tons of this fluff.Atwood’s view of the future, and I assume that’s what I think we must consider that she intends, is poppycock. A nightmare with no beginning, middle or end. If this is what is in store for us, count me out.I was interested in a storyline or two along the way, but the author refused to develop them, instead droning on and on about meaningless details in the heroine’s life, or existence.I couldn’t go any further. My mind kept drifting to all the really entertaining stories out there, waiting to be read and enjoyed. Why was I wasting precious time reading tripe?
  • ** SPOILERS **The surprising part, despite it’s lack of quotation marks and zero structure, I read this quite fast. I’m incredibly surprised this was written by a woman. I get she wanted to make this a creepy tale of what if and get all gritty and scary with this patriarchy having taken over, but why write this and go through this entire thing to not have the women rise up? Why not show the resistance, why not have them at least hint at the end that there was hope of them gaining freedom again? Why write this at all without an ending. Anyone who has read any of my other reviews or knows me at all knows that what I hate more than anything in any work of literature is no ending. To leave an open ended book is to say you want the reader to do your work for you. It’s a cop out to me. Why invest so much , build this whole story up and then not finish it? Drives me insane. Also I’m sorry but the quickness in which the terrorist attack and the new reign took over is a bit hard to swallow. Seems the author enjoyed trying to write the most cruel and unusual scenes in order to shock and terrify the reader instead of focusing more on the true story at hand. Just a big meh from me.
  • Very anti-religious,anti-men and depressing book. PBS had it in their top 100. I can’t figure out why. Would not recommend.
  • Nolite to bastardes carborundorumI’ve just added this title to my list of ‘extra special’ books, but somehow that label doesn’t fit right for The Handmaid’s Tale. Don’t get me wrong. It is without a doubt a fabulous work of fiction, superbly written, and with an unforgettable storyline. But ‘extra-special’ to me indicates something wonderful, pleasant. And nothing about this book can be described as pleasant. The words stark, horrific, prophetic, terrifying and too-close-for-comfort spring to mind.I read this book before. I think it may have been fifteen years ago. The story, for the most part, stuck with me. But, I have to admit that it could almost have been two different books—they certainly were two very different reading experiences. All those years ago I read a fascinating piece of speculative, dystopian fiction. Even then it felt all too plausible, but not in an immediate way.Re-reading the book now, given the political climate we now find ourselves living with, the story feels less speculative, almost less fictional. It doesn’t take a huge stretch of the imagination anymore to visualize a scenario as we encounter in this book, unfolding around us in real time.“Ordinary is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.”There is so much in this book to scare a person witless. You read this book and you can imagine how it might happen, and worse, how it might swallow you up too. There’s an insidious quality to this story, making the outrageous borderline logical, acceptable even. I found myself reading certain sections several times, knowing that what I’d read was wrong, but having a hard time pinpointing exactly why or where. I’m not sure whether I’m impressed or horrified that this book made me understand how people get drawn in to, and learn to live with, a situation that’s against their personal best interest.“We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it. Nothing changes instantaneously.”But, think about it. In a time when humanity is threatened because fertility is down, doesn’t it make sense to mobalize those women who are still able to give birth? Just as countries have for centuries mobilized men (and more recently women) in times of war?“Already we were losing the taste for freedom, already we were finding these walls secure.”And that’s of course another worrying truth. While people may say they value their freedom, far too many seem to find comfort in being told what to do, think, and say. Humanity is supposed to stand out among mammals because of our capacity for independent thought, but all too often and all too many of us prefer to live without thinking too hard, happy to ‘follow orders’ without contemplating the consequences—for ourselves and for others.There was so very much in this story that horrified me and made me angry. But there was only one section that truly broke my heart: when Offred apologies, near the end of the book. Apologizes for acting on the need to connect with another.While I’m sad that the story doesn’t reveal what really happened to Offred, or even whether the end of her story is positive or negative, I do appreciate it was the perfect way to conclude the tale. An answer to the ‘what happened next’ question, regardless of what that answer would have been, would have robbed this story of much of its power. It is because the story ends the way it does that I found myself going over what I’d read and what I hoped/feared/imagined followed Offred’s tale.This is, without a doubt, one of the best books I’ve ever read. It is also among those stories that stay with me forever, because it is too unique, too shocking, and/or too thought-provoking to ever fade.
  • I kept waiting for a story line to appear. I got so tired of all the detail in everything, but the story line. I was so disappointed.
  • What an incredible book. Somewhat unbelievable in some ways, but very much believable as it could happen, in the worst scenario ever (look at what’s happening today). It could be reality, it could be women’s worst nightmare. I haven’t seen the TV programme, only read the original book, so no idea how the writer’s have progressed this story for TV. It left a mark on me, it opens your mind as to how women have been treated over time and how we are considered a ‘lesser person vs men’. Disturbing book, but very thought provoking. Very.
  • Not my usual read. But read on the recommendation of a friend . Don’t expect the script of the TV series the book is much much better.Margaret Atwood uses words to spin a tale in which you get entangled. I really didn’t want to put it down, even though I watched it on TV and knew the story. I would and have recommended this book to friends not as a vintage classic but as a must read classic
  • This book was recommended to me by many women and was listed in several Must-reads for women. I had great expectations and yet this is one of the very few books, which I just couldn’t finish no matter how hard I tried. I have never read something more stupid and degrading to women (maybe only comparable to “50 shades of grey” in shallowness). Writing style… well with all my respect to the famous Ms Atwood, it is strained and presumptuous, and the narration is slow and boring.
  • This book is amazing. It has been my favourite novel for fifteen years since I read it for A Level. I’m now an English teacher and every year I buy more copies than I’d like to admit to give to students. It is, in my opinion, the perfect dystopian novel: fiction that’s just close enough to reality to scare the living daylights out of you.
  • Ive never read a book like this before. And I’ve read many hundreds in my life. This was on a blog titled: ’25 books every woman needs to read in her life’ and it came in at number one. I’m so glad I bought it because I couldn’t put it downIf I had to use one word to describe this book it would be “terrifying”. I simply loved it!
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